Leonardo da Vinci (1452–1519) is often regarded as one of the most brilliant minds in human history, whose contributions spanned across multiple disciplines, from art and science to engineering and anatomy. Known for his innovative thinking and insatiable curiosity, Leonardo’s influence on the Renaissance and subsequent generations has been profound. His legacy endures not only through his masterpieces like The Last Supper (1495–1498) and Mona Lisa (1503–1506) but also through his notebooks, which reveal a mind constantly in search of knowledge and understanding.
Leonardo was born on April 15, 1452, in Vinci, Italy, a small town in the region of Tuscany. He was the illegitimate son of a wealthy notary, Piero da Vinci, and a peasant woman, Caterina. Despite his uncertain social status, Leonardo was raised in his father’s household, where he received an education that included reading, writing, and arithmetic, but his true passion was always art and the natural sciences.
At the age of 14, Leonardo became an apprentice in Florence to the renowned artist Andrea del Verrocchio. Verrocchio’s workshop was one of the most prestigious in Florence, and Leonardo was exposed to various artistic techniques, including painting, sculpture, and metalwork. This apprenticeship laid the foundation for Leonardo’s future works, providing him with the technical skills and artistic understanding that would shape his genius.
Leonardo’s time in Florence was a period of intense artistic growth. It was here that he first began to develop his signature style, which combined realism, anatomical precision, and a deep understanding of human emotion. He also honed his ability to capture light, shadow, and perspective, which would become key elements in his masterpieces.
One of Leonardo’s first independent works, The Baptism of Christ (1472–1475), is believed to be a collaboration with Verrocchio, with Leonardo painting the angel on the left. His early works, though less famous, revealed an emerging talent for conveying depth and emotion. By the time he painted Annunciation (1472), Leonardo had developed an unmistakable style that would influence artists for centuries.
Leonardo’s most famous work from this period is The Adoration of the Magi (1481), a highly detailed and emotionally charged depiction of the Three Kings presenting gifts to the infant Jesus. Though unfinished, this painting demonstrates his ability to render figures in motion and his keen interest in human psychology. Leonardo’s approach to composition and light was revolutionary, and his work in Florence quickly gained him recognition as one of the leading artists of the time.
In 1482, Leonardo moved to Milan, where he entered the service of Ludovico Sforza, the Duke of Milan. It was in Milan that Leonardo reached the height of his artistic and intellectual powers. He worked on several projects, including designing military machines, but it was his work as a painter and scientist that truly stood out.
Leonardo’s most famous work from his Milanese period is The Last Supper (1495–1498), which he painted on the refectory wall of the Convent of Santa Maria delle Grazie. The painting is celebrated for its revolutionary composition and its psychological depth. Rather than simply depicting the moment of Christ’s betrayal, Leonardo focused on the emotional responses of the disciples, capturing a range of reactions—from shock and disbelief to guilt and anger. The innovative use of space and light in this work would influence generations of artists.
During his time in Milan, Leonardo also conducted extensive scientific studies. He made detailed anatomical sketches, studied the mechanics of flight, and even designed advanced machinery such as a tank and a flying machine. His notebooks, filled with sketches, diagrams, and observations, reveal a mind that sought to understand the natural world in its most minute detail.
After leaving Milan in 1499 following the fall of the Sforza family, Leonardo spent time in Rome, under the patronage of Pope Julius II. His time in Rome, however, was less productive as he struggled to find commissions and was overshadowed by the likes of Michelangelo and Raphael in the city’s vibrant artistic scene.
In 1516, at the age of 64, Leonardo moved to France, where he entered the service of King Francis I. There, Leonardo enjoyed a position of prestige and continued to work on his scientific investigations. He was provided with a residence at Clos Lucé, near the royal château of Amboise, and spent the last years of his life there, continuing his work on anatomy, engineering, and painting.
Leonardo’s final painting, the Saint John the Baptist (1513–1516), is a testament to his mastery of light and shadow, as well as his ongoing exploration of human emotion. It is often considered a summary of his artistic genius, displaying his ability to capture the subtleties of human expression with minimal detail.
Leonardo died on May 2, 1519, in Amboise, France, at the age of 67. Though he had little recognition during his lifetime in comparison to some of his peers, his work would go on to change the course of Western art.
Leonardo da Vinci’s impact on the world of art and science is immeasurable. His ability to merge art and science—through the meticulous study of anatomy, light, and perspective—redefined artistic practices. His contributions to anatomy, engineering, and optics were groundbreaking, though many of his ideas would not be realized until centuries later. His notebooks, filled with sketches, diagrams, and writings, provide a window into the mind of a true polymath, a genius who sought to understand every aspect of the world around him.
Leonardo’s works, including The Mona Lisa (1503–1506), The Last Supper, and Vitruvian Man (1490), remain some of the most recognized and celebrated in the world. His paintings have inspired countless artists, including Raphael, Michelangelo, and Titian, and his scientific explorations paved the way for future generations of researchers and inventors.
Vinci, Italy: Leonardo’s birthplace, where he spent his early years and developed his initial interest in nature and observation.
Florence: Where Leonardo trained as an artist and began his rise to prominence, creating masterpieces such as The Adoration of the Magi and Annunciation.
Milan: Leonardo’s most productive period, where he created masterpieces like The Last Supper and The Virgin of the Rocks (1483), while also pursuing scientific studies and engineering innovations.
Rome: Although his time in Rome was less productive, Leonardo spent several years in the city under the patronage of the Pope, studying and experimenting with various fields of knowledge.
Amboise, France: Leonardo’s final years were spent in France, where he continued to work under the patronage of King Francis I, completing his last painting, Saint John the Baptist.
Leonardo da Vinci’s life was marked by unparalleled curiosity, exceptional talent, and groundbreaking achievements. As a painter, his works redefined the possibilities of art, blending technical precision with emotional depth. As a scientist, his studies laid the groundwork for many fields of modern inquiry. Leonardo’s legacy as the quintessential Renaissance man—a polymath who strived to understand the world through both art and science—continues to resonate today. His genius, captured in his artworks, scientific notebooks, and inventions, remains a testament to the boundless potential of human creativity and intellect.
Written by Rüzgar Kaçmaz
Edited by Rüzgar Kaçmaz
Idea by Nisan Coşgun
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